Showing Records: 1 - 7 of 7
54-64 For Link / Houedard, Dom Sylvester; Chopin H; Heidsieck B; DeCampos H; Gomringer E; Garnier P; Katsue K; Finlay IH; Furnival J; Wright E., 1964
A Typographical Problem / Cobbing, Bob, editor ; Themerson S ; Gomringer E ; Mayer P., 1969
Designated Writers Forum Pamphlet Three. -- Source of annotation: Marvin or Ruth Sackner.
Concrete and Sound Poetry 1950-1970 / Cobbing, Bob; Fahlstrom O; Gomringer E; Nichol bp; Hanson S; Dufrene F; Wolman G; Brau JL; Chopin H; Gysin B; DeVree P; Heidsieck B; Johnson BE., 1970
Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember. This is Cobbing's essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.
Concrete Sound Poetry 1950-1970 / Cobbing, Bob; Fahlstrom O; Gomringer E; Nichol bp; Hanson S; Dufrene F; Wolman G; Brau JL; Chopin H; Gysin B; DeVree P; Heidsieck B; Johnson BE., 1970
Cobbing describes the history of contemporary sound poetry and the techniques utilized by the poets. He concludes "The very diversity of sound poetry is in line with its emphasis on the freedom of the individual and the withering of external authority, on man as a communal and social animal, on communication as a life-giving activity, things which in this bureaucratic and techncratic age we need constantly to remember." This is Cobbing's manuscript essay for the ground-breaking exhibition, "klankteksten ? konkrete poezie visuele tesksten - sound texts ? concrete poetry visual texts - akustiche texte ? konkrete poesie visuelle texte." -- Source of annotation: Marvin or Ruth Sackner.
Festival International des Musiques Experimentales, 9th / Hausmann R ; Gomringer E ; Marinetti FT ; Albert-Birot P ; Cage J ; Ruhm G ; Cobbing B ; Schwitters K ; Dufrene F ; Hanson S ; Heidsieck B ; Lora-Totino A ; Chopin H ; Bussotti S ; Kolar J ; deCharmoy C ; Novak L., 1979
Fur Ernst Jandl: Texte zum 60.Geburtstag Werkgeschichte / Pfoser-Schewig, Kristina, editor ; Achleitner F ; Bisinger G ; Cobbing B ; Czernin F ; Gomringer E ; Grogerova B ; Gruber R ; Heissenbuttel H ; Hell B ; Hirsal J ; Kirsch S ; Mayrocker F ; Middleton C ; Novak L ; Ruhm G ; Spohn J ; Ujvary L ; Jandl E ; Houedard DS., 1985
This book, a festshrift to Jandl, is also designated Zirkular Sondernummer 6, July 1985. It is stored with the Jandl publications. The bibliography lists all of Jandl's publications and recordings along with a synopsis of reviews from critics. -- Source of annotation: Marvin or Ruth Sackner.
Lecture for Eyear / Houedard, Dom Sylvester; Gomringer E; DeCampos A; Isou I; Lemaitre M; Garnier P; Chopin H; Heidsieck B; Novak L; Bense M; Tilson Jo; Williams E; Dufrene F., 1964
Houedard in his introduction states that this is the first lecture (concrete poetry) delivered in the English speaking world. He presents an extensive critical analysis of Gomringer's poems including "Avenidas," "Silencio,"etc. and DeCampos poetry. Calligrammes were inspired by Mallarme's "Un Coup De Des" as well the music of Webern. He discusses the basis for Ultra-Lettrisme and Sound Poetry and provides a chronology for Sound Poetry. -- Source of annotation: Marvin or Ruth Sackner.